1/27/2024 0 Comments Spark otesThe problems for Citadel began with original showrunner Josh Appelbaum exiting the project over creative differences, which required extensive reshoots after David Weil (creator of Amazon’s Hunters) was hired in his stead. Of course, what sounds promising in theory doesn’t always work out in execution. On paper, you can understand the appeal of Citadel’s premise: a new action-oriented franchise with a global reach baked into its DNA, orchestrated by the duo responsible for some of the most lucrative blockbusters of the past decade. (Prime Video has already given the green light for foreign-language offshoots in Italy and India.) The show focuses on spies working for the titular Citadel, a secret international organization that isn’t loyal to any nation-rather, it exists in the shadows to protect all of humanity from sinister forces. Unlike The Rings of Power, Citadel isn’t based on any preexisting IP, and the series will serve as the flagship for what’s intended to be a new small-screen universe. But if Amazon wasn’t quite ready to hit the panic button on its recent streaming efforts, then the rollout of Citadel might push the company over the edge.Ī globe-trotting thriller executive-produced by Joe and Anthony Russo, Citadel is arguably Prime Video’s most ambitious (and riskiest) project to date. (Along the way, the streamer has failed to meet Jeff Bezos’s lofty goal of creating the next Game of Thrones–like megahit.) While Prime Video is essentially a side hustle for one of the world’s largest online retailers-a way of attracting more subscribers who would like access to, say, Thursday Night Football-the streamer’s current spending habits are increasingly glaring when there are diminishing returns. The Rings of Power’s underwhelming launch is emblematic of larger issues for Prime Video, which, as The Hollywood Reporter also noted, lacks a cohesive vision for its slate of original programming in spite of ballooning production costs. He continued to revise his works until his death in 1990.There’s a lot of TV out there. We want to help: Every week, we’ll tell you the best and most urgent shows to stream so you can stay on top of the ever-expanding heap of Peak TV. Following the failure of his play Der Mitmacher in 1970, Dürrenmatt stopped producing new dramatic works in favor of revising literature he had already written he took the view that his plays could never be finished if they were to accurately reflect the ever-changing nature of life, as Dürrenmatt believed they should. Other plays from Dürrenmatt’s oeuvre, including The Physicists (1961) and The Meteor (1966), take a similar track. All of his plays include a degree of absurdity and the grotesque, but in doing so lay bare the hypocrisy and greed that, Dürrenmatt believed, characterized political life in post-war Switzerland. He had his first significant success with Romulus the Great, in 1950, and followed that with The Visit in 1956. Later, when he received an honorary doctorate from the University of Pennsylvania, Dürrenmatt explained that he abandoned his academic work when he “realized that it is not only possible to think with the philosophy, but also with the theater stage.” His first play, It is Written, was immediately controversial and led to fights breaking out in the audience. Dürrenmatt began his career as a playwright in the mid-1940s, choosing to abandon his doctoral dissertation on the philosopher Kierkegaard in order to work on his first play. Both qualities are manifest in his writings. The son of a pastor and the grandson of a well-known satirist, he developed a keen interest in philosophy and a dark sense of humor. Dürrenmatt was born in 1921 in Konolfingen, a small town just outside the Swiss capital of Bern.
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